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Pwyll ap Siôn embraces the music of Australian com...
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Jeremy Nicholas delves into a world of miraculous ...
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Boris Giltburg pays glowing tribute to the breatht...
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Methods of performing this unique work – the earli...
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Malcolm Riley delves into the history of the Three...
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David Vickers meets conductor John Butt to discuss...
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Mark Pullinger and Nalen Anthoni dedicate some ser...
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Anoushka Shankar plays her father’s Second Sitar C...
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Jed Distler welcomes a second Scarlatti volume fro...
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Presenting live concert and opera performances fro...
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Puccini’s Tosca from Norway and directed by Calixt...
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The Dutch self-confessed maximalist is a classical...
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Two listening journeys inspired by a couple of thi...
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Rob Cowan’s monthly survey of historic reissues an...
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The Editors of Gramophone’s sister music magazines...
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Some of the most memorable moments from the celebr...
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His schedule is dizzying, his thirst for new reper...
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Early and later vocal works all featuring Cristina...
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Recording Beethoven’s Sonatas for Violin and Piano...
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Edward Seckerson welcomes the Broadway hit Dear Ev...
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Get acquainted with Hanslip and Driver on disc
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More treasures from the Evgeny Svetlanov recorded ...
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When Carolyn Sampson, Iestyn Davies and Joseph Mid...
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Warner Classics’ second set commemorating the grea...
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Gramophone is proud to present its first ever Wint...
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Neil Fisher on Angela Gheorghiu’s welcome return t...
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Charlotte Gardner assesses the prestigious Swiss f...
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Musicians descend on the city of Valletta for the ...
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Harriet Smith cheers Krystian Zimerman’s first sol...
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David Fanning listens to Olli Mustonen’s individua...
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Shostakovich the subversive: Edward Seckerson on r...
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The conductor has been recording Bartók in Bergen ...
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Steven Isserlis on the ‘Trench Cello’ featured on ...
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Noa Wildschut Violinist
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The magazine is just the beginning. Visit gramopho...
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Dame Kiri draws career to a close at Gramophone Aw...
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Published tributes to the director Sir Peter Hall ...
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Founded in 1923 by Sir Compton Mackenzie and Chris...
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Krystian Zimerman has an extraordinary ear for det...
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The San Francisco-based string quartet talk about ...
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The food writer, critic and former chef-patron of ...
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A special eight-page section focusing on recent re...
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Format and service wars confuse consumers – but th...
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Karajan’s Ring cycle • Tyrannical conductors • Mus...
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Chineke! is shaking up audiences for the better
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A violinist from a musical family; a prolific Brit...
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Major brands are launching new ranges to tempt us ...
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Simple looks hide an extremely competent network m...
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While the MiND is optimised for audio, it’s possib...
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Smart wireless headphones combine noise-cancellati...
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Gramophone Magazine
The World's best classical music reviews
Gramophone enriches your classical music experience and connects you with great recordings. Packed with features across all classical music genres, our globally acclaimed writers will inform and entertain you with independent and intelligent editorial and more than 150 reviews in every issue. Our reputation is founded on our acclaimed critical analyses of the latest CD releases, in-depth features and interviews with classical stars, and our comprehensive coverage of recorded and live music. Please Note: This price excludes VAT which will be added when you checkout.
This magazine is available for:
language : English /English
country : United Kingdom
Publisher : Mark Allen Business & Leisure
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September 2017 September 2017 August 2017 August 2017 July 2017 July 2017 June 2017 June 2017 View More Issues 

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